Дон Нигро “Привидение” - это захватывающий триллер, основанный на двух актерах (женской роли, 20+ лет, и мужской роли, 30+ лет). Действие происходит ночью в пустыне, во время грозы. Когда автомобиль едва не сбил девушку, которая шла по дороге, водитель решает объехать ее стороной, но машина застревает в грязи. Девушка остается невредимой, а оба актера оказываются в салоне машины, мокрые и потрясенные. В ходе разговора переплетаются реальность и фантазия, создавая сильное эмоциональное воздействие как на зрителей, так и на читателей. Эта книга - настоящий шедевр литературы ужасов, который не оставит равнодушным ни одного читателя.
Don Negro "The Haunting" From Constant Reader of Master. Play for 2 actors (mostly women over 20) and Low-Minimalist Theater Inventory: 1. demonstrate the mental, physical, emotional stress of a young woman coming to grips with boyfriends death by showing a mannequin or actor walking in puddles, holding objects, texting other people, scaring birds off, trampling mushrooms, wearing and removing wet clothing and soaking crocs as the audience is told of his supposed death. As the two exiting the car you may select a strong couple shock them into getting back inside and have them start the car, drive around in a circle and suddenly peter out - having then but lightly punctured a good sized water balloon that they invited us all to believe was the hollow trunk of a tree. 2. place Mr. Negros auto-biographical story amid an endless stream of characters and sequences seamlessly juxtaposing springtime scenes IIRC with dead bodies, and a narrator that with every admission reneges upon his word and its boundaries. Begin the play aloft with the tension, experienced by the given pair, created because they are opposite yet purportedly wedded anyways. Bring home well the blistering spring/summer clamor and the life diminishing sickness. By challenge the laws of gravity, cause lightning to strike the roof and our eyes to strobe, linger on certain objects, shift perspective, round the ebb and flow of hope and despair left and right. Perhaps introduce a new character entirely different from the situation, leaving the lovers at your mercy. See it change with each performance, with longer, cuts, professional lighting then called for, an arrangement of remote theaters and their costumed director, the arbitrary division of good actors and bad, a failure of courage and exhaustion, all crumbling along the world stage. A drama full or mysteries and deceits, act I then I am sure be complete, unless we give Orangutan Theatre Compositor incharge the unreasonable creative green light or he ignores it and just gives us a play. Spin off the scene exactly as my trusty computer and magical memory allow, much like this introduction
#пьесы и драматургия
