Carne de ataúd (Bernardo Esquinca).

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The new book from Casasola is a rarity in the continuity of the series, as it develops the story of an ancestor of the journalist we've seen in action in novels such as “Toda La Sangre”. Here we find unexpected alliances and dangerous investigations that herald a glimpse of truth, revenge in the name of an old love, threats that seem to come from the realm of the living, but also from an unknown and terrifying beyond. As in each of his novels, Bernardo tells us a story of crime and investigation while making a sharp critique of the spirit of the era that allows forms of violence that drive the plot. "Carne De Atáude" finds characters that reflect the controversies of the early twentieth century: such as Carlos Roumagnac, a police inspector and social scientist who seeks to entrust the future of investigation and the application of justice to pseudoscientific theories that criminalize the inhabitants of the lower neighborhoods; and Rafael Reyez Spindola, the director of "El Imparcial", who is convinced that the future of journalism lies in crime, given that sales of the newspaper have skyrocketed since Casasola has followed the case of the likely return of the killer known as the Chequered Man. So while the privileged read the sorrows of the masses from the comfort of their homes, conspiracies and violence are being planned throughout the country that will mark its history forever. "The set of his books constitutes a coherent work because its themes and obsessions reappear under a different light always: Eros and Thanatos, dreams, the red note, insects, the lovers' couple, maniacs, evil, fictional science, and the resources of police and horror stories… "Vicente Francisco Torres; Universal Mexico Christian Cueva Morbidofesta Bernardo is undoubtedly the most prominent Mexican horror writer of our time. In his books, wizards, ghosts that roam the asylums, frightening red-note crimes and various interpretations of the apocalypse lurk. Rodolfo JM., Tierra Adentro One of the main attractions of Esquinca's books is its ability to give new twists to fundamental concerns of Mexican literature.

В романе "Плоть из гроба" (Carne de аtаúd) автор влюбляется в одну проститутку по имени Мурьета, которую потом убивает какой-то убийца. В поисках информации об убийствах среднего устрашает мадам Гильот, занимающаяся спиритами. Оставшись без молодой любовницы, главный персонаж Эудженио общается с духом возлюбленной через женщину-медиума. Вместе с остальными героями, такими как диктатор Порфирио Диас и журналист Касовла, он выдвигает версию о появлении нового убийцы. Автор представляет историю таинственного романа Касаолы с точки зрения его деда. Как и в каждой из своих романов, Бернар Эскинса при поддержке острого чернилами духа времени создает романы о криминалистике и расследованиях.